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The libretto was translated into Italian and set by Donizetti as L'elisir d'amore, one of the most successful comic operas of all time.[/FONT] [FONT="]Two years later, on 27 February 1833, Gustave III, his second grand opera, also triumphed and stayed in the repertory for years.
The libretto was to be used twice more, first by Saverio Mercadante for Il reggente, with the action transferred to Scotland, and, next by Giuseppe Verdi, as Un ballo in maschera.
in 1754 - Franz Anton Hoffmeister, composer is born.[/FONT] [FONT="]in 1776 - Juan Bros y Bertomel, composer is born.
Elias Mann was one of the first American composers. Following his period of novitiate, he was named his mentor's assistant and substitute conductor of the famed girls choir at the church and succeeded him in that position upon his death in 1784.[/FONT] [FONT="]Mattei continued as choir director at the Church of St. He then moved briefly to Padua, where he served in that function for the Basilica of Saint Anthony of Padua, operated by his religious Order.
Mattei then went to live with his mother, supporting himself by giving private instruction.[/FONT] [FONT="]Mattei's music bears a close resemblance to the style of composition of Martini, his mentor.[/FONT] [FONT="]Mattei himself composed over 300 works of sacred music, a body of work which remains largely unpublished.
He also composed some secular vocal pieces and symphonies.
He also began to study with the renowned Luigi Cherubini.[/FONT] [FONT="]In 1813 the unfavourable reception of his one-act debut opera Le Séjour militaire put an end for some years to his attempts as composer.In 1804 he was appointed as a professor at the Liceo Musicale di Bologna (now the Conservatorio Giovanni Battista Martini), where he had among his pupils Gaetano Donizetti, Yevstigney Fomin, Angelo Mariani, Francesco Morlacchi, Luigi Felice Rossi, Gioachino Rossini, Giovanni Tadolini, and Christian Theodor Weinlig.See: List of music students by teacher: K to M#Stanislao Mattei.[/FONT] [FONT="] in 1829 - Paul Karrer, composer is born.Le maçon (1825) was his first major triumph, staying in the repertory until the 20th century, with 525 performances at the Opéra-Comique alone.
An ensemble from the latter found its way into Herold's ballet La Somnambule (source of Bellini's La sonnambula) as an air parlante (a way of explicating the plot through the words of a relevant operatic aria or salon piece).[/FONT] [FONT="]Auber achieved another triumph in La muette de Portici, also known as Masaniello after its hero.
Their first opera, Leicester, shows evidence of the influence of Gioachino Rossini in its musical style.